|Play title||Mekura Nagaya Ume-ga-Kagatobi|
"The original version of seven acts has two themes. The first deals with the misdeeds of a masseur called D˘gen. The second tells of the rivalry between the Edo fire-brigade and the fire-fighters employed privately by Maeda, a daimy˘ of Kaga, whose palace was at Hong˘, where T˘ky˘ University now stands. Fire has always been the greatest latent danger in the wood-built towns of Japan and, while most cities had their municipal fire-brigades, the daimy˘ who had extensive properties in the towns maintained their own teams. There was a good deal of rivalry, not always well-intentioned, between these private groups and the municipal companies. Nowadays it is customary to give only the D˘gen scenes, but one scene from the fire-brigade sequence is still very popular for its spectacular effects and also because it is traditional that the actor playing the role of D˘gen should also play for contrast the role of Umekichi, one of the leading firemen." (Aubrey and Giovanna Halford in "The Kabuki Handbook")
"Mekura Nagaya Ume-ga-Kagatobi" was originally made up of seven acts. The current standard version of this drama is divided into 4 acts, made up of 6 scenes.
Act I scene 1: before the gate of Hong˘
A group of hot-headed and magnificent Edo firemen are gathered in front the town gate of the district of Hong˘. They long to fight against their rivals, the private fire-fighting brigade of the daimy˘ of Kaga, whose mansion was built in Hong˘. The group is led by Matsuz˘, the second in command, and all these firemen are impatiently waiting for the return of their boss Umekichi, who went to the rival camp to try to come up with a solution to the troubles. They are worrying about his tardiness in returning and are about to launch a massive attack against the Kaga daimy˘'s firemen, under the leadership of Matsuz˘. Umekichi finally returns and stops his men, urging them to wait while negotiations are carried out with the enemies. However, the men are in no mood to give up the attack. Umekichi, in order to prevent a bloodbath, plants himself squarely before the firemen and tells them that they have to kill him first if they really plan to disobey his orders. Matsuz˘ suddenly supports Umekichi in his stand. Faced by the determined attitude of of their two leaders, the others firemen are unwillingly forced to disperse.
Act II scene 1: at the bank of the moat of Ochanomizu
An old man named Tajiemon is going home late at night, passing by the moat at a desert place called Ochanomizu. He suddenly suffers a pain and is unable to go any further. Kumataka D˘gen, a good-for-nothing Edo masseur, comes across the man in pain and stops to offer some aid. However, as he is massaging Tajiemon, trying to find a way to relieve him from his pain, his hand touches a packet of money in the old man's clothes. The temptation to make off with the money is too strong for the evil D˘gen, who stabs the unfortunate Tajiemon to death.
Matsuz˘, the firemen leader of the first scene, happens to come by and stumbles over Tajiemon's body. He quickly looks around for the culprit and catches a glimpse of the masseur, who is slipping away with a studied air of nonchalance, blowing the traditional whistle, which symbolizes the business of massage. Matsuz˘ picks up a tobacco pouch which had been dropped at the scene of the crime by the killer. Looking at the departing figure and at the tobacco pouch, Matsuz˘ easily puts two and two together to come to the conclusion that the masseur and the murderer are the same person.
Act III scene 1: D˘gen's home at Kikuzaka
Osetsu, D˘gen's wife, is visited by her orphaned niece Oasa who is in the employ of the pawnshop Iseya. Oasa hands over five ry˘ to her aunt saying that the owner of the Iseya had given the money to her. Osetsu is worried about Oasa's possession of such a sum, half afraid that she may have stolen it or obtained it by some other questionable means. However Oasa insists that it was given to her by her boss as a simple act of kindness.
D˘gen, who had been listening to the conversation, comes out and says that surely there must be more to the story than that and sends his wife off to the Iseya to check into the matter. In the meantime the woman masseur Okane, in fact D˘gen's mistress, comes to the house. D˘gen discusses the matter of the money from the Iseya with her, and together they force Oasa into a false confession that she had been victimized by the Iseya proprietor in an illicit relationship. D˘gen and Okane hope to use this confession to blackmail the Iseya and get a lot of money.
Now Otsume, who is in the slave trade business, comes to the house. D˘gen and Okane had made previous arrangements with her to sell Oasa into prostitution. They hand Oasa over to Otsume. Then they head off together for the Iseya with Oasa's false confession to extort money from the owner.
Act III scene 2: at the Iseya pawnshop in Take-ch˘
Okane and D˘gen arrive at the pawnshop Iseya on their blackmail venture. Okane slips off and hides to the side while D˘gen approaches the clerks and obsequiously thanks everyone for the kindness they have shown his inexperienced young niece. They all greet him cordially because Oasa is well thought of here. Yohei, the owner himself, comes out to meet him. D˘gen blandly thanks Yohei for the money given to Oasa and says that he had sent his wife Osetsu ahead to find out whether Oasa may not have stolen the money. Yohei reassures him and says that Osetsu had left just a while earlier.
But now D˘gen changes his attitude and hints that he does not consider the money to be a gift of kindness. Yohei does not understand until D˘gen takes out the note which he says is Oasa's confession and demands 100 ry˘ to keep quiet about Yohei's so-called "generosity". Okane presents herself too, as somebody who has witnessed the confession of Oasa. Yohei now realizes that he is victim of a blackmail but he can't find a way to avoid it. Thanks to the intervention of the clerk Sangobei, the matter is settled for half, 50 ry˘ instead of 100. D˘gen is about to pocket the money and depart when the fireman Matsuz˘, who had entered the shop during the proceedings, stops him. He takes the letter in question and through comparison, proves that was written by D˘gen, not by Oasa. D˘gen realizes that his cheap attempted blackmail is about to fail. He tries to challenge Matsuz˘ to throw him out but the fireman takes out the tobacco pouch that he had picked up in Ochanomizu the night of Tajiemon's murder. He hints that he knows about the Ochanomizu incident, and says that he saw a masseur, no doubt the murderer, scurrying away from the scene of the crime. D˘gen realizes that the situation is getting out of hand and makes his getaway, abjectly accepting a mere 10 ry˘ together with the tobacco pouch for his trouble.
Act IV scene 1: D˘gen's home at Kikuzaka
Oasa is no more in the house, and although Osetsu has had nothing to do with her disappearance, D˘gen suspects that she is responsible for Oasa's escape. He binds her up in order to torture her and make her confess everything about Oasa's whereabouts. When Okane comes to the house, he explains the situation to her and says that if Osetsu dies he will marry Okane.
Osetsu is saved by the sudden appearance of Kihei, the landlord of D˘gen, who comes to tell his tenant that a dog has dug up a piece of cloth from under the house. Kihei is surprised to find the bound Osetsu and he does not hesitate to free her. The grateful Osetsu says that, without Kihei's help, she would have undoubtedly been killed by D˘gen. D˘gen asks what it is that the dog has dug up. Kihei then shows him the bloodstained kimono which is identical with one that D˘gen had been wearing earlier that year. D˘gen pretends to know nothing about the kimono, but the piece of evidence is overwhelming. Kihei takes Osetsu with him and goes to report to the police.
Okane, who had been hiding during the landlord's presence in the house, comes out. She is perturbed by the fact that the landlord has saved Osetsu, but D˘gen has bigger matters to worry about. Making preparations for flight, he confesses to Okane that he had killed Tajiemon, who happened to be Osetsu's brother, at Ochanomizu early that year. His kimono had been stained with Tajiemon's blood, and as it was one he had worn often, he knew it would be recognized if found. Hence he had buried it under his own house where unfortunately a dog had dug it up.
As the pair are about to flee, Kihei arrives with a posse. Okane is captured at the site but D˘gen manages to get away.
Act IV scene 2: before the gates of the Kaga Mansion
D˘gen can't run away. He is cornered in front of the imposing Red Gate of the Kaga daimy˘ mansion. (this gate is now the entrance to the famous T˘ky˘ University in Hong˘). The villain is surrounded by his pursuers and in spite of his wily attempts in a great danmari to escape, he is finally captured by the police.
The actors Onoe Matsusuke IV, Nakamura Dengor˘ III, Onoe Kikugor˘ V,
Band˘ Kakitsu I and Ichikawa Kuz˘ III
playing the roles of Okane, Sagohei, D˘gen, Yohei and the fireman Matsuz˘
in the drama "Mekura Nagaya Ume-ga-Kagatobi",
which was staged in March 1886 at the Chitoseza
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