Dance titles D˘j˘ji Matamo Kaneiri  In Japanese
Azuma Sodachi Yakko Musume D˘j˘ji  In Japanese
Common title Meoto D˘j˘ji  In Japanese
Authors ???

"Meoto D˘j˘ji" is a parodic version of the classic dance "Musume D˘j˘ji" with two leading dancers instead of one, one of the two being a male dancer disguised as a female dancer, and two musical ensembles, Nagauta and Tokiwazu, to support this beautiful dance. The roots for "Meoto D˘j˘ji" were two d˘j˘jimono:

  • "D˘j˘ji Matamo Kaneiri" staged in the 11th lunar month of 1840 at the Ichimuraza with Nakamura Utaemon IV and Ichimura Uzaemon XII in the roles of the two shiraby˘shi.
  • "Azuma Sodachi Yakko Musume D˘j˘ji" staged in the 2nd lunar month of 1867 at the Nakamuraza with Nakamura Shikan IV in the role of a ky˘genshi disguised as a shiraby˘shi.
  • Key words D˘j˘ji
    D˘j˘ji (N˘)

    According to the legend of the D˘j˘ji Temple in Kishű, Princess Kiyo fell in love with the priest Anchin, who had sworn that he would spend his future with her. He unfortunately broke his promise and had to take refuge under the temple bell (tsurigane) in the precincts of the temple. Princess Kiyo pursued him across the Hidaka River in the form of a giant serpent burning with hate and jealousy. Wrapping herself around the bell, she melted it with her fiery breath, killing Anchin inside.

    The scene of "Meoto D˘j˘ji" is set at the D˘j˘ji Temple some time later, when a new bell has been made to replace the one destroyed by Princess Kiyo. The bell is to be hung in place that day with due ceremony, and the D˘j˘ji abbot, mindful of what happened to the previous bell, has forbidden that any woman be allowed with the precincts of the temple on that day. Hanako and Sakurako, two lovely shiraby˘shi dancers, come to the temple and ask the priests to allow them to view the new bell. One of the dancers furtively casts vindictive glances in the direction of the bell without being noticed. The priests give them permission to view the new bell as long as they will perform a dance that is dedicated to the bell. Hanako and Sakurako agree to dance for the priests.

    At the height of the dance, Hanako slips off to the side. Sakurako in the process of the dance hits the brim of his eboshi hat against the rope of the bell, and the hat falls off, revealing that this dancer is in reality a man. The D˘j˘ji priests are taken by surprise. Sakurako is in reality the ky˘genshi Sakon. The priests tell him that he must atone for his trickery by performing a Ky˘gen dance for them. Sakon agrees and goes off to change into the proper costume. In the meantime the other shiraby˘shi dancer Hanako returns and performs a dance, after which Sakon reappears and the two dance together. A series of other dances ensue, including a dance with flowered parasols performed by the D˘j˘ji priests, and Hanako's and Sakon's various dances with parasol hats and with a small drum and tambourine.

    While the priests are completely captivated by the dance, before they know it, the dancers have jumped inside the bell (kaneiri) and transformed into a serpent. Sakon and Hanako are in reality the avenging spirit of Princess Kiyo.

    Nakamura Tokiz˘ V and Nakamura Kash˘ III playing the roles of the shiraby˘shi Hanako and the ky˘genshi Sakon in the dance-drama "Meoto D˘j˘ji" in a print made by Tsuruya K˘kei
    Print courtesy of Ted Jagoda

    Search this site powered by FreeFind
      Site map | Disclaimer
    Contact | Main | Top | Updates | Actors | Plays | Playwrights | Programs | Links | FAQ | Glossary | Chronology | Illustrations | Prints | Characters | Derivatives | Theaters | Coming soon | News