NAKAMURA SEN'YA I |
Stage names:
Line number: SHODAI (I) Existence: ??? Connection: Father-in-law: Takeshima Kôzaemon I Master: Nakamura Shichisaburô I Disciple: Nakamura Genzaemon I (the adoptive father of Nakamura Utaemon I's master Nakamura Genjûrô) Career: ???~1691: born in Kamigata. He started his career during the Enkyô era and performed in Kyôto as a wakaonnagata. His first stage name was Kiriyama Masanosuke 1691: he settled in Edo. 1696: he decides to change the writing of his last name:
You need a Japanese Language Kit installed within your system in order to be able to read the characters 1699: Masanosuke went back to Kyôto. 11th lunar month of 1699: he became disciple of Nakamura Shichisaburô I and received the name of Nakamura Sen'ya I. He also got married around the same time with the daughter of Takeshima Kôzaemon I. 1st lunar month of 1701: Sen'ya went to Ôsaka and played the role of Sano Utaemon's sister Harima no Osan in the drama "Kashû Dômyôji Kaichô", which was produced by Iwai Hanshirô II; the role of Utaemon was played by Murayama Jûheiji I. 2nd lunar month of 1704: Sen'ya's rank in the Ôsaka hyôbanki, wakaonnagata section, was jô-jô (superior - superior) [visual]. 1st lunar month of 1706: Sen'ya went to Kyôto to perform at Hayagumo Chôdayû's theater. 11th lunar month of 1706: Sen'ya played at Hayagumo Chôdayû's theater the role of the spirit of a pine tree in the kaomise drama "Sukeroku Shinjû Kamiko Sugata"; his stage partners were Fukuda Dan'emon and Yamatoyama Jinzaemon I. 3rd lunar month of 1707: Sen'ya's rank in the Kyôto hyôbanki, wakaonnagata section, was jô-jô-kichi (superior - superior - excellent) [visual]. Fall 1716: Sen'ya went to Edo. 11th lunar month of 1716: Sen'ya performed at the Nakamuraza in the kaomise drama "Mitsudomoe Katoku Biraki", which celebrated the shûmei of Arashi Kiyosaburô II. 1st lunar month of 1717: Sen'ya's rank in the Edo hyôbanki, wakaonnagata section, jô-jô-(hanshiro)kichi (superior - superior - almost excellent). 5th lunar month of 1717: Chikamatsu Monzaemon's masterpiece "Kokusen'ya Gassen" was produced simultaneously in the 3 Edo Kabuki theaters. This was the first Kabuki adaptation of a puppet theater play in Edo. It was produced at the Nakamuraza under the title "Kokusen'ya Takarabune"; Sen'ya played the role of Kinshôjo [casting]. 11th lunar month of 1717: Sen'ya played at the Nakamuraza the role of the female uekiya Teishu in the kaomise drama "Hachinoki Hônen Mitsugimono". 1718 ~ 1728: Sen'ya performed in a travelling troupe (tabi shibai). 2nd lunar month of 1728: Sen'ya appeared for the last time on the stage of a major licensed theater, playing the role of Onabe in the drama "Man'yô no Hana Nishiki no Akebono", which was produced by Kanazawa Hikogorô in Kyôto. No record afterwards. Comments: "Nakamura Sen'ya at first was an insignificant onnagata in Edo, but he went to Ôsaka, where he scored a great success in a courtesan play and remained there many years, returning to Edo after an absence of eighteen years. The criticisms of the day complained that he had grown fat, but was still a true onnagata in spirit and gesture. When Nakamura Sen'ya returned from Ôsaka, he started the custom for a Kyôto or Ôsaka actor performing in Edo to give gifts to minor actors and theatre employees. He presented a good many kimono dyed in a certain colour which became all the rage, and was called Sen'ya dye." (Zoë Kincaid in "Kabuki, the Popular Stage of Japan") |
The actor Nakamura Sen'ya I in the drama "Mitsudomoe Katoku Biraki",
which was staged in the 11th lunar month of 1716 at the Nakamuraza (print made by Torii Kiyomasu I) The Nakamura Sen'ya line of actors |
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