SUGI SAKAYA
   
Play title Imoseyama Onna Teikin  In Japanese
Authors Chikamatsu Hanji
Miyoshi Sh˘raku
Matsuda Boku
Eizenbei
Chikamatsu T˘nan
History

The play "Imoseyama Onna Teikin" was originally written for the puppet theater (Bunraku) and staged for the first time in the 1st lunar month of 1771 in ďsaka at Takeda Shinmatsu's theater (ex-Takemotoza). It was quickly adapted for Kabuki and staged in Ky˘to in the 3rd lunar month of 1771 at the Kitagawa no Shibai [casting]. It was a long run, produced from the 25th of March to the 10th of the 5th lunar month of 1771. For this premiere, the roles of Motome, Omiwa, Tachibana and Netar˘ were played by Fujimatsu Sanjűr˘ I, Arashi Hinasuke I, Mimasu Tokujir˘ I and Ogino Kichisabur˘.

Structure

"Sugi Sakaya" is the first scene of the 4th act of "Imoseyama Onna Teikin". It is occasionally staged as part of a t˘shi ky˘gen production.

Key words Jidaimono
Gidayű Ky˘gen
Giri/Ninj˘
Summary

In the gathering dusk Netar˘, a boy employee of the sake shop named Sugi Sakaya, lights the lamp at the entrance of the shop and sees a woman covering her head with a white silk cloth enter a next-door neighbor's house, in which Motome, a head gear maker lives. When Omiwa, daughter of the proprietress of the sake shop, comes back from the village school, Netar˘ informs her that Motome is meeting a woman in his house. Omiwa, who is in love with Motome, becomes uneasy and asks Netar˘ to bring Motome to her.

When Motome comes Omiwa accuses him of his unfaithfulness to her. Motome tells her quite falsely that his guest is in the service of the Kasuga Shrine and that she has come to order a headgear for her priest husband. Omiwa feels relieved at this explanation and hands a spool of red thread to him. The spool, together with a spool of white thread held by Omiwa, symbolizes their firm pledge of love.

The woman left alone in Motome's house is in fact Tachibana, Iruka's younger sister, who is also in love with Motome. Getting impatient, Tachibana comes to the sake shop and the two women quarrel, each claiming her monopoly of Motome's love.

Meanwhile, Omiwa's mother returns to her shop. She has heard that Iruka is looking for Kamatari's son Tankai, offering a large sum of money as a reward to anyone who will find Tankai and bring him to Iruka. And she, who believes that Motome is in fact Tankai, asks him to stay in the house because she has business with him. The mischievous Netar˘ ties her obi to the tap of a huge sake cask with a rope. When she moves to catch hold of Motome, the tap gets loose, causing a gush of sake from the cask. In the confusion Tachibana runs out of the house, followed by Motome and Omiwa.

Text written by Hironaga Shűzabur˘

The actors Kawarazaki Gonjűr˘ I, Ichikawa Kodanji IV and Iwai Kumesabur˘ III playing the roles of Motome, the decchi Netar˘ and Omiwa in the "Sugi Sakaya" scene of "Imoseyama Onna Teikin", which was staged in the 3rd lunar month of 1859 at the Ichimuraza (print made by Utagawa Toyokuni III)

 
Search this site powered by FreeFind
  Site map | Disclaimer
Contact | Main | Top | Updates | Actors | Plays | Playwrights | Programs | Links | FAQ | Glossary | Chronology | Illustrations | Prints | Characters | Derivatives | Theaters | Coming soon | News