TAIHEIKI CHÛSHIN KÔSHAKU
   
Play title Taiheiki Chûshin Kôshaku  In Japanese
The Chronicle of Great Peace and a Lecture about the Loyal Retainers
Common title Chûshin Kôshaku  In Japanese
Authors Chikamatsu Hanji
Miyoshi Shôraku
Takeda Koizumo I
Takemoto Saburobê II
Takeda Bungo
Takeda Heishichi
History

The puppet theater drama "Taiheiki Chûshin Kôshaku" was premiered in Ôsaka at the Takemotoza in the 10th lunar month of 1766. It was quickly adapted to Kabuki the following year and was premiered in the 2nd lunar month of 1767 in Edo at the Ichimuraza [casting]. It was quite popular during the Edo period but, most likely due to the cruelty of some scenes, it is nowadays a rarely-staged drama. Only one record since the end of WWII : the 4th and 5th acts of "Taiheiki Chûshin Kôshaku" were revived in July 1966 in Tôkyô at the Tôyoko Hall with Ichikawa Ennosuke III (Gorotarô/Hayano Kanpei), Sawamura Tosshô V (Orei/Ishidô Nuinosuke), Sawamura Tanosuke VI (Okumi/Ukibashi) and Ichikawa Yaozô IX (Ôboshi Yuranosuke).

Structure

The original drama was in 10 acts (12 scenes). Only 5 acts (6 scenes) have survived:

ACT (SCENE) JPN ENG
Act IV Ishikiri no Kanpei Stone-cutting Kanpei
Act V, scene 1 Michiyuki Hitome no Shigenui The michiyuki
Act V, scene 2 Gion Ageya In a House of Assignation in Gion
Act VI Shichijô Kawara On a Dry Riverbed near the Seventh Avenue
Act VII Kinai Sumika At Kinai's House
Act VIII Takubê Jôshi [1] The Emissary Takubê
Key words Adauchi
Adauchimono
Ageya
Akô Rôshi
Akô-jô
Ashikaga Tadayoshi
Chûshin
Chûshinguramono
Gidayû Kyôgen
Gion
Giri/Ninjô
Gishi
Gishi Kyôgen
Gômon
Hôsô
Ishikiri
Jigai
Jôshi
Kagebara
Kankyo
Kawara
Kôshaku
Kozuka
Kuruwa
Michiyuki
Ôboshi Rikiya
Ôboshi Yuranosuke
Rônin
Semeba
Seppuku
Shichijô
Sôka
Taiheiki
Yakko
Yamashina
Yûjo
Summary

An imperial envoy is bringing a message from the emperor to the Shôgun Ashikaga Tadayoshi at Kamakura. The lord in charge of the envoy's reception is Kôno Musashi-no-Kami Moronao [2]. Other lords involved, like Momoi Harima-no-Kami Yasuchika, wishing for his instructions, place an abundance of valuable gifts before him. However, En'ya Hangan Takasada, Lord of Akô, who arrives with Yazama Jûtarô, offers Moronao only a box of cakes, which infuriates him. Moronao finds fault with Hangan about everything, to the point that Hangan resolves to slay his tormentor. Hearing their quarreling, Ôboshi Rikiya and Hangan's brother, Ishidô Nuinosuke, come running. Hangan is ordered to commit seppuku, the details of which are reported by Shikama Takubê.

Back at Akô Castle, the uneasy chief retainer Ôboshi Yuranosuke, who has intuited trouble from a battle fought among bees, learns of the Kamakura incident, first from his son, Rikiya, and then from Ono Sadakurô. Yuranosuke hides his feelings by getting drunk, but Sadakurô's father, the retainer Ono Kudayû, insists that the clan fight the shogunate to the death. Yuranosuke receives from Rikiya the dirk with which Hangan killed himself, and resolves to take revenge. Kudayû pretends to be a loyal retainer, even to the point of disinheriting his son. Yuranosuke, seeing through his ruse, pretends he is having an affair with Hangan's widow, Kaoyo Gozen. Kudayû swallows the bait, and many clan members, as well as the family tradesman-Amakawaya Gihei-abandon Yuranosuke. Kudayû suggests to Yuranosuke that he commit seppuku. Rikiya, however, places a dirk in front of Kudayû. Yuranosuke exposes Kudayû's theft of a large amount of official money whose loss he blamed on Hayano Sanzaemon, who was forced to commit seppuku as punishment. Kudayû must kill himself, for which everyone praises Yuranosuke. Gihei is asked to prepare for the vendetta.

In "Ishikiri no Kanpei," Okumi, a stonemason's daughter in Kyôto's Shirakawa, is a stammerer, but is loved by the servant Gorotarô [3]. Her widowed mother, Orei, knows that Gorotarô is really a fencing master, and she asks him to marry Okumi and accomplish a vendetta on her behalf. Orei is Kudayû's wife and her enemy is Yuranosuke. Gorotarô is Hayano Kanpei, son of Hayano Sanzaemon, and he is surprised at this request. Just then, money given to Yuranosuke by Kanpei is returned to him, because Yuranosuke is suspicious about it. At this moment of seeming happiness for Orei, Kanpei reveals that he is dying from a seppuku incision made just before (see kagebara). Alone with Yuranosuke, he asks to be allowed a place in the vendetta. Yuranosuke is impressed but, while he would like to assent, cannot allow someone related to Kudayû to be part of the league. Hearing his, Okumi kills herself. Orei, repenting her husband's evil, disinherits Kanpei and Okumi, breaking their relationship with her. Yuranosuke signs Kanpei's name in blood to the vendetta list. Kanpei slices Kudayû's mortuary tablet in half.

At a Gion teahouse, Ishidô Nuinosuke and his courtesan girlfriend, Ukibashi, perform a michiyuki dance as a parlor entertainment for guests. Moronao's supporters, Yakushiji Jirozaemon and Ono Sadakurô, come looking for Yuranosuke and Rikiya. Seeing the dissipation of his stepson, Nuinosuke, Ishidô Umanojô disinherits him. Nuinosuke's debauchery is a ploy to deflect suspicion of his involvement in the vendetta on behalf of his brother, Hangan. Yuranosuke, understanding, adds his name to the list, in place of the deceased Kanpei. Meanwhile, in order to support her adoptive parents, Orie, the wife of Yazama Jûtarô, has become a streetwalker in their hometown. Jûtarô's younger sister, Omutsu, runs away from the quarters, where she was known as Ukibashi, and comes home. One night, in "Shichijô Kawara", Jûtarô, now a fugitive being sought by the law, encounters his wife, but circumstances force them to leave one another, and he goes off in search of Moronao. In the "Kinai Sumika" scene, Orie is caring for Jûtarô's ailing father, Kinai, who is living in dire poverty. Jûtarô, saying he is serving a certain daimyô, visits Kinai dressed in beautiful garments, but the old man grows angry, saying he cannot be his son and serve two masters. To his delight, Jûtarô is disinherited, and he goes to the entrance where Orie passes him his son, Taiichirô, sick with smallpox, hoping his father will train him to be a man. Jûtarô, focused on the vendetta, refuses to be encumbered and kills the boy. Spying this, Kinai realizes Jûtarô's intentions, gives him money, and encourages him. Jûtarô, after exchanging parting cups with his father, departs. Orie hears her husband's resolve and kills herself.

In "Takubê Jôshi," [1] Yuranosuke lives alone at Yamashina, acting as if he has abandoned the vendetta. Moronao's man, Shikama Takubê, comes to demanding that, if Yuranosuke's intention is to serve Moronao, he should hand over the head of Tamewaka, Hangan's child. Yuranosuke pretends that the wife of the foot soldier Teraoka Heiemon has come to ask him to let her husband participate in the vendetta, and he goes inside with her son. Presently, he emerges with 100 ryô on a ceremonial tray stand, and places it before Shikama, who disdains it and runs out. Yuranosuke stops him, declaring his realization that Shikama is Heiemon, and rewards him for his loyalty by promoting him to samurai status and allowing him a place in the vendetta.

Amakawaya Gihei has been in charge of ordering and shipping the equipment for the vendetta. He secretly lays up weapons and cavalry gear. He is captured and he, his wife, and his son, Yoshimatsu, are shackled and tortured by Moronao's followers, Umanojô and Jirozaemon, for information, but he refuses to reveal who has ordered the coming night attack. Yakushiji kills the boy, for which he is censured by Ishidô, who takes Gihei into his custody. Then, in the final act, Gihei, who is released, dreams that Hangan's forty-seven samurai kill Moronao. Teraoka Heiemon arrives with the news that the dream is a reality. Gihei recounts each detail, one by one. Heiemon kills Yakushiji at Ishidô's home. Nuinosuke is restored to his former position.

Courtesy of Samuel Leiter
Summary from
"New Kabuki Encyclopedia"

A must-read !
Notes

[1] Also called "Yamashina Kankyo", literally "a Cottage in the Village of Yamashina".

[2] Kô no Moronao or Kô no Moronô also possible.

[3] Gorotarô or Gorôda.

The cover of the ezukushi banzuke for the staging of the drama "Taiheiki Chûshin Kôshaku" in the 4th lunar month of 1800 in Kyôto at the Minamigawa no Shibai with Sawamura Sôjûrô III in the role of Ôboshi Yuranosuke

Prints & Illustrations

 
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