koi bikyaku yamato horai umegawa chubei ">
|Play title||Koi Bikyaku Yamato Ôrai|
|Other titles||Koi no Hikyaku Yamato Ôrai
Koi no Tayori Yamato Ôrai
Keisei Koi no Hikyaku
|Authors||Chikamatsu Monzaemon I ("Meido no Hikyaku")
Namiki Shôzô I ("Koi no Tayori Yamato Ôrai")
Suga Sensuke, Wakatake Fuemi ("Keisei Koi no Hikyaku")
The play "Meido no Hikyaku" was originally written for the puppet theater (Bunraku) by Chikamatsu Monzaemon I and staged for the first time in Ôsaka at the Takemotoza in the 3rd lunar month of 1711. It was based on a real event that happened in Ôsaka the 5th 12th lunar month of 1710: a messenger named Chûbei was executed because he used some official money, which was entrusted to him, for the love of a courtesan named Umegawa. Chikamatsu Monzaemon I was not the first author to work on this thema: the first drama was "Keisei Kuhonji Jôdo", which was staged in the 1st lunar month of 1711 in Kyôto at Miyako Mandayû's theater and starred Hanaoka Bunzaemon and Yamamoto Kamon in the roles of Chûbei and Umegawa. There was also a similar drama staged in Ôsaka in Spring 1711, starring Otowa Jirosaburô I and Sodeshima Genji in the roles of Chûbei and Umegawa (title unknown). Chikamatsu's rival Ki-no-Kaion wrote also his own version, titled "Keisei Sandogasa", which was staged in the 10th lunar month of 1713 at the Toyotakeza. A Kabuki drama similar to "Meido no Hikyaku" was written by Namiki Shôzô I and staged under the title "Koi no Tayori Yamato Ôrai" (an other possible reading is "Koi no Hikyaku Yamato Ôrai") in the 7th lunar month of 1757 in Ôsaka at the Ônishi no Shibai (casting unknown). Another drama, which had a deep impact on the current contents of "Koi Bikyaku Yamato Ôrai", was written for the puppets by Suga Sensuke and Wakatake Fuemi, which was staged under the title "Keisei Koi no Hikyaku" in the 12th lunar month of 1773 at the Toyotakeza. It was adapted to Kabuki in the 2nd lunar month of 1796 at the Kado no Shibai [casting].
The original structure was in 3 acts, the second one being "Fûin Giri" and the final one a michiyuki. Nowadays "Koi Bikyaku Yamato Ôrai" is made up of two acts, "Fûin Giri" and "Ninokuchi-Mura". Both acts are frequently staged.
Act I: Fûin Giri (breaking the seal)
In the pleasure quarters, the most important possessions were money and reputation. In danger of losing his lover, the courtesan Umegawa, the money courier Chûbei breaks the seals on a package of money entrusted to him after being taunt by his rival Tambaya Hachiemon, even though the use of such money is punishable by death.
Act II: Ninokuchi-Mura (the Ninokuchi village)
Chûbei and Umegawa travel throughout the countryside with the stolen money, hoping for a few meeting moments of happiness before the money runs out and they are captured and punished. They go through the snow covered landscape on their way to the Chûbei's home town where they meet their end.
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