|KYďGENDď SAKď II|
Line number: NIDAIME (II)
Poetry name: Sak˘
Existence: 1802 ~ 7 August 1877
1825: he became disciple of Sakurada Jisuke II and received the name of Matsushima Hanji III.
End of 1826 or beginning of 1827: his master took the name of Matsushima Ch˘fu I.
14th day of the 4th lunar month of 1829: his master Matsushima Ch˘fu I died.
1833: receiving the patronage of Sakurada Jisuke I's widow, he was allowed to take the name of Sakurada Jisuke III.
1835: he became tatesakusha.
11th lunar month of 1835: Jisuke worked at the Nakamuraza on the production of the classic "Sugawara Denju Tenarai Kagami", which starred Onoe Kikugor˘ III (Kan Sh˘j˘, Sakuramaru, Takebe Genz˘ , Shundo Genba), Ichikawa Ebiz˘ V (Ume˘maru, Kakuju, Takebe Genz˘ ), Band˘ Hikosabur˘ IV (Shihei, Terukuni), Matsumoto K˘shir˘ V (Matsu˘maru), Osagawa Tsuneyo IV (Tatsuta-no-Mae, Haru), Onoe Kikujir˘ II  (Yae), Onoe Eizabur˘ III (Tonami) and Arashi Kanjűr˘ I (Hy˘e, Shiratayű).
1st lunar month of 1843: premiere at the Ichimuraza of Jisuke's dance "Kashiragaki Ise Monogatari" (commonly called "Noriaibune"), which was staged within the new year drama "Kioi Uta Soga no Hanadashi" [more details].
2nd lunar month of 1847: premiere at the Ichimuraza of Sakurada Jisuke's 11-role hengemono "Kanadehon Chűshingura"  (same title as the classic drama "Kanadehon Chűshingura"); each role, which was performed by Ichimura Uzaemon XII, was based on 1 act of "Chűshingura" [more details].
5th lunar month of 1856: Sakurada Jisuke III and his disciple Kimura Sonoji II took the names of Ky˘gend˘ Sak˘ II  and Sakurada Jisuke IV; premiere at the Moritaza of the first version of "Matsuura no Taiko", as 3 extended acts of the classic "Kanadehon Chűshingura". This program, which celebrated the reopening of the Moritaza was entitled "Shin Butai Iroha no Kakizome". Sak˘ was a member of the sakusha team.
1st lunar month of 1860: the 1762 puppet drama "Kishi no Himematsu Kutsuwa Kagami" (commonly called "Kishi Hime") was adapted for the first time to Kabuki, in Edo at the Moritaza; it was integrated within the new year sogamono "Momo Chidori Nigiwai Soga" [casting]. Sak˘ was a member of the sakusha team.
4th lunar month of 1865: Sak˘ worked at the Nakamuraza on the drama "Yoshitaka Shima Chibiki no Aminote".
July 1875: Sak˘ writes the lyrics of the dance-drama "D˘j˘ji Manete Mitsumen", which was staged at the Shintomiza. This was his final creation.
7 August 1877: Sak˘ died .
Ky˘gend˘ Sak˘ II was an important sakusha who was active from the end of the Bunka/Bunsei era, symbolized by Tsuruya Nanboku IV, to the end of the Edo period, the beginning of the Meiji era, which was symbolized by Kawatake Mokuami. Ky˘gend˘ Sak˘ II was not as talented as these two geniuses but he made a long career and was a prolific playwright who worked on more than 200 dramas, including more than 50 dance-dramas for which he wrote the lyrics.
"The last sakusha to shine before the dawn of the Meiji era was Sakurada Jisuke, who was born in 1802 and died in the tenth year of Meiji, 1877. He was associated with actors and literary men for forty years, and during most of his career he was head of the Edo playwrights. He wrote many plays, and among them are a number frequently given by the actors of modern T˘ky˘ and ďsaka. The little eccentricities of the sakusha were long remembered after they had passed away. Sakurada Jisuke had a habit of frequently moving his residence. He would make a hole in his cupboard through which his rice was poured by the delivery boy from the rice shop, as he did not like people to see how much he had ordered at a time. But while he was parsimonious in some matters, in others he was prodigal. He lived in Muk˘jima, across the Sumida River from T˘ky˘, and at times bought a whole bag of charcoal, for use in the hibachi, to warm himself in the boat that took him across the river-just to make a show. The trip across the river was brief, and he was well aware he required but a small portion. When an old farmer came selling squash, Jisuke purchased his entire stock-in-trade and then presented him with one of the vegetables as a reward, after which the countryman spread the tale of the sakusha's generosity. It was a time when the fortunes of the sakusha were at the lowest ebb, when writers for the theatre were entirely subordinate to the actors, and yet the dignity of his profession must have been felt by Jisuke, for it is reported that he resented being placed under young actors." (ZoŰ Kincaid in "Kabuki, the Popular Stage of Japan")
 Only in "Hipp˘ Denju".
 Only in "Terakoya".
 The 6th role, "Kagoya", is now an independent dance belonging to the current Kabuki repertoire.
 When dying, Sakurada Jisuke expressed a last wish: "Do not have Buddhist ceremonies or anniversaries for me, but be careful not to neglect Edo plays" (ZoŰ Kincaid in "Kabuki, the Popular Stage of Japan")
The name of Ky˘gend˘ Sak˘ II in a 1860 Edo hy˘banki (the zone within the red shape on the left side of the picture)
The Matsushima Hanji line of playwrights
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