Poetry names: Sh˘kichi, Sh˘kitsu
Existence: 1726 ~ 28th day of the 7th lunar month of 1774
Master: Nakamura Jűz˘ I
Disciple: Edosaka Sh˘z˘
Before 1751: he starts his career as a disciple of the actor Nakamura Jűz˘ I, who gives him the name of Nakamura Sh˘z˘.
11th lunar month of 1754: Sh˘z˘ plays at Hoteiya Umenoj˘'s theater in Ky˘to the role of Ema no Koshir˘ Yoshitoki in the kaomise drama "Fűkigusa Aioi Genji", which is produced by Somematsu Matsujir˘. This drama is in fact the first Kabuki adaptation of the puppet drama "Yoshitsune Koshigoej˘" [more details].
11th lunar month of 1757: Sh˘z˘ plays at the Minamigawa no Shibai the roles of Ebisu Sabur˘ and Minamoto Yukie in the kaomise drama "ďyashiro Musubu no Sanban Tsuzuki", which is produced by Sawamura Kunitar˘ I and Somematsu Matsujir˘ for the nadai Hayagumo Ch˘dayű.
1st lunar month of 1758: first Kabuki adaptation of the puppet theater drama "Gion Sairei Shink˘ki", which is simultaneously produced at the Minamigawa no Shibai [casting] and the Kitagawa no Shibai [casting]; Sh˘z˘ plays in the former theater the roles of Shibata Gonroku Katsushige and Konishi Yajűr˘. Sh˘z˘'s rank in the Ky˘to hy˘banki, tachiyaku section, is j˘-j˘-hankichi (superior - superior - half excellent). He shares the same ranking with Sawamura Sukejűr˘.
12th lunar month of 1759: following a quarrel with his master, Nakamura Sh˘z˘ takes the name of Edosaka Ky˘emon at the Kitagawa no Shibai, playing the role of Horiguchi Jűnai in the drama "Bandai Fueki H˘rai Yakata", which is produced by Arashi Hinasuke I.
11th lunar month of 1763: Ky˘emon plays at the Minamigawa no Shibai the role of Yata Fujihei in the kaomise drama "H˘raisan Hatsuhi no Kachidoki". He also plays the role of Kurofune Chűemon in the drama "Kurofune Deiri Minato".
1st lunar month of 1764: Ky˘emon's rank in the Ky˘to hy˘banki, tachiyaku section, is j˘-j˘-(hanshiro)kichi (superior - superior - almost excellent). He plays at the Minamigawa no Shibai the role of Katagiri Hikoshir˘ Noriyasu in Namiki Sh˘z˘ I's ni-no-kawari drama "Keisei Hana no Shiroyama", which is produced by Arashi Matsunoj˘ III.
11th lunar month of 1764: Ky˘emon plays at the Minamigawa no Shibai the role of Wat˘nai in the kaomise drama "Tanomi-agemasu Goken Butsusama" (similar to "Kokusen'ya Gassen"); the role of Kanki is played by Sakakiyama Koshir˘ II.
11th lunar month of 1766: Ky˘emon becomes zamoto and produces in Ky˘to at the Kitagawa no Shibai the kaomise drama "Umayadogimi Shitenn˘ji Kuy˘", which celebrates the shűmei of the actors Sakakiyama Sagisuke, Sakakiyama Koshir˘ III and Sakakiyama Shirotar˘ III.
Spring 1768: tour in Nagoya with Arashi Hinasuke I.
winter 1768~1769: reconciliation with his master Nakamura Kichiemon I; they perform together in Ky˘to in the 1st lunar month of 1769 in the new year drama "Keisei Sato no Kinzan", which is produced by Onoe Kumesuke. This is the last stage appearance of Ky˘emon's master.
17th day of the 6th lunar month of 1770: his master Nakamura Kichiemon I dies.
3rd ~ 5th lunar months of 1771: first Kabuki adaptation of the puppet theater drama "Imoseyama Onna Teikin", produced by Mimasu Tokujir˘ I at the Kitagawa no Shibai; Ky˘emon plays the role of Shibaroku [casting].
11th lunar month of 1771: Ky˘emon plays at the Minamigawa no Shibai the roles of Hirai no Yasumasa and Hirai no Yasusuke in the kaomise drama "Bandai Isaoshi Genji", which is produced by Arashi Sanjűr˘ II.
11th lunar month of 1772: Ky˘emon plays at the Kitagawa no Shibai the role of Togashi Saemon, in reality Chishimanosuke, in the kaomise "Shiraume Genji Kuruwa no Hachinoki", which is produced by Anegawa Chiyosabur˘ II.
2nd lunar month of 1773: Ky˘emon appears on stage for the last time, at the Kitagawa no Shibai, where he plays the roles of Kakogawa Honz˘, Ishid˘ Umanoj˘ and Teraoka Heiemon in the drama "Kanadehon Chűshingura". He suddenly falls ill and has to retire.
28th day of the 7th lunar month of 1774: Ky˘emon dies in Ky˘to.
Edosaka Ky˘emon was a 18th century tachiyaku actor, who made almost all his career in Ky˘to (the exception is a tour to Nagoya). He did not venture to tour not only in the distant city of Edo (although his name would make us think that he had an interest in this city) but also to the nearby city of ďsaka, even for a few days in this latter city. He was popular in the Imperial City and his final ranking was really close to the prestigious j˘-j˘-kichi.
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