NATIONAL THEATRE |
Names | Kokuritsu Gekijô National Theatre Théâtre National |
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City | Tôkyô | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Management | The Japanese State | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
History |
November 1966: opening ceremony of the National Theatre in Tôkyô with the full length performance of the classic "Sugawara Denju Tenarai Kagami", from the "Ôuchiyama" scene to the "Kurumabiki" scene, with an amazing casting:
December 1966: second month of the opening ceremony of the National Theatre with the full length performance of the classic "Sugawara Denju Tenarai Kagami", from "Kurumabiki" to the last scene, with an amazing casting:
January 1967: revival at the National Theater of "Narukami Fudô Kitayama Zakura", which is staged with the following casting:
March 1967: revival at the National Theatre of Tsuruya Nanboku IV's masterpiece "Sakura Hime Azuma Bunshô". The new script is written by the Kabuki scholar Gunji Masakatsu and the play is is produced with the following casting:
April 1967: revival at the National Theatre of Chikamatsu Monzaemon's drama "Yari no Gonza Kasane Katabira", which is staged with the following casting:
May 1968: revival at the National Theatre of "Ura Omote Sendai Hagi", which is staged with the following casting:
November 1969: premiere at the National Theatre of Mishima Yukio's drama "Chinsetsu Yumihari-zuki", which was staged with the following casting:
April 1971: revival at the National Theatre of Nagawa Shimesuke I's drama "Sumidagawa Gonichi no Omokage", in 5 acts divided into 8 scenes (a longer version than the standard one) which is staged with the following casting:
May 1973: revival at the National Theatre of Chikamatsu Monzaemon's drama "Horikawa Nami no Tsuzumi" to commemorate the 249th anniversary (250th memorial service) of the playwright, which is staged with the following casting:
June 1973: revival at the National Theatre of Katsu Hyôzô I and Sakurada Jisuke II drama "Kokoro no Nazo Toketa Iroito", which is staged in 5 acts (13 scenes) with the following casting:
March 1975: revival at the National Theatre of Kawatake Shinshichi II's drama "Jiraiya Gôketsu Monogatari", which is staged with the following casting:
April 1976: revival in 5 acts and 9 scenes of Namiki Gohei I's drama "Kinmon Gosan no Kiri", with the following casting:
March 1977: revival at the National Theatre of Kawatake Shinshichi II's drama "Shiranui Monogatari", which was staged with the following casting: August 1977: revival at the National Theatre of Namiki Shôzô I's drama "Suda no Haru Geisha Katagi", which is staged with the following casting: September 1978: revival at the National Theatre of Namiki Gohei I's drama "Suda no Haru Geisha Katagi", which is staged with the following casting:
August 1979: revival at the National Theatre of Kawatake Shinshichi II's drama "Kanzen Chôaku Nozoki Garakuri", which is staged with the following casting:
January 1980: revival at the National Theatre of Tsuruya Nanboku IV's kaomise drama "Modoribashi Sena-ni Gohiiki", which is staged with the following casting: August 1980: revival at the National Theatre of Namiki Shôzô I's drama "Yadonashi Danshichi Shigure no Karakasa", which is staged with the following casting:
March 1981: revival at the National Theater of Kawatake Mokuami's drama "Jitsugetsusei Kyôwa Seidan", which is staged with the following casting:
April 1981: revival at the National Theatre of Nishizawa Ippô's drama "Keisei Hama no Masago", which is staged with the following casting:
For this revival, the drama's sekai being the Taikôki, it was decided to use the real names for the historical figures. The spectacular "Onna Goemon" scene was the opening act of this drama. January 1982: revival at the National Theatre of "Zôhiki", a bombastic play in the aragoto style which belongs to the Kabuki Jûhachiban and is staged with the following casting:
January 1983: revival at the National Theatre of "Nanatsu Men", which uses a new script written by Tobe Ginsaku and is staged with the following casting:
January 1984: historic revival at the National Theatre of the Genroku drama "Sankai Nagoya", with the following casting:
January 1985: revival at the National Theater of the drama "Kan U", which belongs to the Kabuki Jûhachiban. It is staged with the following casting:
January 1986: revival at the National Theatre of the rarely-staged drama "Uwanari", which belongs to the Kabuki Jûhachiban; it is staged with the following casting:
January 1991: revival at the National Theater of Namiki Gohei I's play "Sode Nikki Banshû Meguri", which was staged with the following casting:
January 1997: tôshi kyôgen revival at the National Theatre of the drama "Dan no Ura Kabuto Gunki", which is staged with the following casting:
January 1999: revival at the National Theatre of Kawatake Shinshichi II's drama "Irogoyomi Gen'yadana", which is staged with the following casting:
January 2002: revival at the National Theatre of Kawatake Shinshichi II's drama "Koharunagi Okitsu Shiranami", which has not been performed in its full length since 11th lunar month of 1864; the play is staged with the following casting:
October 2003: revival in 3 acts (11 scenes) at the National Theater with the Omodakaya guild of Nagawa Kamesuke I's drama "Hade Kurabe Ise Monogatari", which is staged with the following casting:
November 2005: revival at the National Theatre of Chikamatsu Yanagi's drama "Ehon Taikôki", which is staged with the following casting:
January 2008: revival at the National Theater of Sakurada Jisuke I's kaomise drama "Komachi-mura Shibai no Shôgatsu". "It is a spectacular play on a grand scale, showing a struggle between two imperial princes for the imperial throne and the almost magical powers of the great poet Ono no Komachi, also considered one of the greatest beauties of her time. In ancient times, Komachi was such a famous figure that she became the subject of many Nô plays, one in which her poetry called forth rain and another in which a jealous rival tried to defeat her by claiming that a poem she wrote was actually plagiarized from an old poetic anthology. She proved her innocence by washing the book of the anthology and showing that the fresh ink of the supposedly old poem easily washed away" (source: Earphone Guide website). This revival is staged with the following casting:
January 2009: revival at the National Theatre of "Zôhiki", a bombastic play in the aragoto style which belongs to the Kabuki Jûhachiban and is staged with the following casting:
January 2010: premiere at the National Theater of "Asahi-ni Kagayaku Kin no Shachihoko", a revival of Namiki Gohei I's 1782 drama "Keisei Kogane no Shachihoko", which is staged with the following casting: January 2014: premiere at the National Theater of "Sanzen Ryô Haru no Komahiki", a revival of Tatsuoka Mansaku's 1794 drama "Keisei Haru no Tori", which is staged with the following casting:
December 2014: "Igagoe Dôchû Sugoroku" is staged as a tôshi kyôgen (5 acts, 6 scenes), including the rarely-staged "Fujikawa Shinseki" and "Okazaki Yamada Kôbê Sumika" acts (they were staged for the last time more than 44 years ago, in September 1970 at the National Theatre), at the National Theatre with Nakamura Kichiemon as zagashira [more details]. October 2015: revival at the National Theatre of "Ise Ondo Koi no Netaba" in a tôshi kyôgen production (3 acts; 8 scenes) [more details]. The rarely-staged "Daidaikô" act is revived. It was staged for the last time in July 1962 at the Kabukiza, more than 53 years ago. It is staged with the following casting:
November 2015: revival at the National Theater of the drama "Shinrei Yaguchi no Watashi" (tôshi kyôgen in 4 acts) [more details]. The zagashira is Nakamura Kichiemon. The classic "Tonbê Sumika" act (also called "Yaguchi no Watashi"), which is still in the Kabuki repertoire, is staged at the end of this program, along with 3 long-forgotten acts. The second act, "Yura Hyôgonosuke Shin Yashiki", was staged for the last time in July 1915, more than 100 years ago, in Tôkyô at the Kabukiza with Nakamura Kichiemon I in the leading role. The two others revived acts are "Yakimochi-zaka" as the opening act and "Dônen Anjitsu" as the third act. "Shinrei Yaguchi no Watashi" is staged with the following casting:
March 2017: "Igagoe Dôchû Sugoroku" was staged as a tôshi kyôgen at the National Theatre. The core of this revival was "Okazaki". The third act, commonly called "Engakuji", which was staged for the last time in February 1931 at the Meijiza, was revived as well [more details].
January 2019: revival at the National Theatre of Namiki Gohei I's 1779 drama "Sode Nikki Banshû Meguri". This Otowaya-powered revision was entitled "Himeji-jô Oto-ni Kiku Sono Ishizue" and it was staged with the following casting:
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The long façade of The National Theatre |
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